a5c7b9f00b In this obscure and Gothic tale, one attractive girl, Evey gets involved accidentally in a terrorist attack, perpetrated by a masked and megalomaniac character, V. V is following the same steps of Guy Fawkes, a sort of terrorist of the XVII century, who wanted to blow up the English Parlament in London. However, in the present time, the Orwellian London lives under the fascist government of chancellor Adam, and V will fight against his regime, using the power of powder, blowing up important buildings. Evey will be chased by the secret police, thinking that she's the accomplice of V, who will accomplish Fawkes' mission of destroying the Parlament on the 5th of November, in this mixture of The Phantom of the Opera, George Orwell's 1984 and Batman.
In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.
Oh,really a stunning performance by both excellent actors Hugo Weaving(V) and Natalie Portman(Evey) and great outline of the plot of a dramatic story excellent action and scenarioin the tag line that was said by Hugo Weaving(V)Beneath this mask there is more than flesh. There is an idea and ideas are bulletproof.I really was amazed by this i think it deserved what it take to make an excellent movie and my god the Wachowski brothers they really got with that movie after the Matrix sequels the definitely made me enjoy that movie and i think others will.It was really great i loved it pretty good Directeing by James McTeigue it was so cool me and my girlfriend and my friends loved it was never less than Matrix sequels it was excellent.
According to this film the war on terror will be the catalyst for a fascist take-over by the conservative party who will take from us everything we hold dear namely our freedom and our lipstick lesbians (& not necessarily in that order). Britain is a mature democracy don't believe this guff. At the worst every now and then we read the daily mail and get worked up about immigration & paedophiles. To 'argue' – and this is a massively unsubtle polemic – that we would so easily be led down the road of fascism is both an insult to our capacity to think for ourselves and a distortion of the reality that the social changes /values this film seeks to defend and the war on terror it attacks have both been advanced by our current labour government (ok not true of the USA but the film isn't about USA).<br/><br/>Personally I think its dishonest and manipulative when writers try to shore up their own particular values & beliefs by trying to associate anything critical of those values / beliefs with a slide into totalitarianism & genocide. However they did get one thing right: in a country like Britain the only way you could achieve any kind of totalitarianism is through manipulation of the media. And exactly how conservative is the media in this country? I mean if you ask the question who exactly is controlling what we can and can't say, and therefore what we can and can't think… well I'd say that honour belongs to the likes of the Warshawskis and the Islington set who made this film. So if you like being told what to think, and made what to feel, you'll enjoy this film and feel refreshed in your right-on credentials. But if you don't you'll be sure to hold up two fingers to V and his pointy beard.
Mostly, it's content to remain a compelling, visually striking political mystery with some big ideas woven into it–subversive notions about integrity, liberty, and political change.
movie, it doesn't occur either in Christopher Marlowe's Faustus or Johann Wolfgang von Goethe's Faust but in fact was a motto of the 20th century occultist Aleister Crowley, who likely hadmuch of a fascination with Johann Georg FaustMarlowe and Goethe yet isn't known for explicitly writing about Faust in correlation with the motto. It could be speculated that V was in possession of an unpublished and furthermore esoteric work of art of some kind that linked these, but for Evey's sake, V's attribution was dubious, since she being an ordinary civilian would have no awareness of the hypothetical artifact. No one knowsit is not stated in either the movie or the graphic novel. Furthermore, V says that he lost his memory while at Larkhill, so during the time frame of the movie's events, even he didn't know why he had been sent there. It's only stated that he was an "undesirable", which could mean that he was not heterosexual, a non-Christian (perhaps not the right denomination of Christian), that he had possessions that were deemed offensive, that he spoke out against the political regime, or that he was/did anything else the totalitarian government prohibited/feared. In an interview, Hugo Weaving did with IndieLondon, he offered the following:<br/><br/>You understand that he's been tortured and physically abused and that's what has created him. But at the same time the reason he was imprisoned in the first place was, I would suggest, because he was some kind of political activist. And I think he was probably an actor so he has very strong opinions.<br/><br/>The original graphic novel's Larkhill was based loosely off of Hitler's concentration camps and the Nazi atrocities, and it is left open whether V is a member of a racial minority, is homosexual, or that he was taken for his political views. However, it's possible that he was not being specifically punished, seeinghe was placed in a group that was almost certain to be unceremoniously disposed of. A man who can fashion explosives and destroy a detention facility in which he's being held captive is likely to make authoritarians nervous wherever he goes.<br/><br/>Throughout the film, V exhibits an intricate knowledge of the workings of the Norsefire regime, and it's possible that he knew these things before being shipped off to Larkhill, thus it wouldn't be unreasonable to suspect that he was a some kind of strategic agent of the executive branch, perhaps the Sutler's administration or ones prior. He could have been a serviceman, a commissioned officer or a covert operative. This ties in with the symbolism of him impersonating William Rookwood, along with the symbolism in the unmasking of Dietrich's parody V revealing a parody duplicate of Dietrich's parody Sutler. And furthermore, the number five pops up in consideration of the concept of a fifth column emerging within Sutler's dictatorship. However, for this to work, it would mean that Sutler's loyal forces were unaware of the extent of the security clearance held by the man who would become V, for they surely would have killed him instead of imprisoning him, in order to maintain their party/state secrets. Nothing in the movie suggests that the transition from the previous administration to Sutler's was not smooth, but there is no telling how many state employees were sloppily fired and not murdered or executed. V and the other prisoners were injected with a virus that was later used at St. Mary's, Three Waters (water treatment plant), and a London tube station. More specifically, the Larkhill prisoners were the "lab rats" in Norsefire's experiments while the party was attempting to develop a super-bioweapon. There is an implication that the St. Mary's virus came from the blood of V himself, since he was the trial which gave the coroner hope and since he was the only subject who survived the Larkhill explosion. This would provide another reason for his vendetta against the government, since he felt partially responsible for the virus. This is seemingly contradicted by the diary of Delia Surridge, who claims that all her work was destroyed in the explosion at Larkhill; however, she might have been writing thatmerely an assumption,she afterwards distanced herself from the project and might well not have known if any data had survived. During the "flashback" scene it was rather definitively implied that everybody who was injected died—except for V. Thus, we may assume that for whatever reason he is unique, or at the very least an extremely rare specimen in some biological or physiological sense, and that most people would not develophe did—or else Larkhill would have been overrun by V-type super-people. The movie does seem to imply V is given some sort of superhuman ability by the experimentation at Larkhill,Delia's diary says: "the mutations seem to have triggered the abnormal development of basic kinesthesia and reflexes." Those responsible for Three Waters and St. Mary's also came out with a miracle vaccine for the virus that made them very wealthy and allowed them to be saviors in a time of fear and utter chaos. It would stand to reason that this vaccine would be developed from V's blood,he was the only one able to resist the virus. V's role in the viral attacks would then bethe originator of the vaccine. This would explain how V knew of the history of the virus and vaccine that he relates to Finch and Dominic. The graphic novel merely implies that the prisoners were experimented on with no real purpose, like the Nazis with Jews in World War II. The super-soldier story line is the Wachowskis take on the purpose of the experimentation. This is explained in an expanded voiceover of Delia Surridge's (the coroner that V killed) journal, which exists in the original script but was cut much shorter for the final product. While at Larkhill, V was allowed to tend the garden there, for which he had access to chemical supplies, grease solvents, ammonia, and fertilizer. He used those to produce napalm and mustard gas.There are two theories. (1) The doctor is talking metaphorically, i.e. she couldn't see his eyes because of the fire but knew he was looking at her. Throughout the movie, V can be seen reading books, watching movies, and visually noticing people. (2) Yes, he is blind. You can clearly see his face around his eyes is caved in and completely black on the close up, with no flames distorting your view, and it can be assumed that his enhanced kinesthesia is the way he views the world now, with no need for visual perception. This would, of course, necessitate an expanded definition of the the meaning of the term 'kinesthesia."
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